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Rich Rollo
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Mat Blankenship
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Joseph F. Dumond
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Jerry Eastbourne
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Terri Pierce
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Timothy Tabor
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John Wesley Anderson, Jr.
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Gary D. Cluck
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Robert S. Weil
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Christie Castorino
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By Teucer Wilson and Hugh Lupton
Norfolk is steeped in story. Whether we are travelling along the coast, through the loam-rich farmlands, across the sandy brecklands, among the inland waterways of the broads, or over the marsh and fenlands to the west of the county; whether we are threading the Saxon and Medieval streets of Norwich, Kings Lynn or Thetford, stories are everywhere. These stories that are held in landscape are what the Aboriginal peoples would call the �dreaming� of a place. When they are told the sleeping landscape reveals its dreams. Its secrets are disclosed. The medium is the breath � the spoken and the sung word. In this exhibition the narratives of place are returned to the bedrock of landscape. Breath is become stone. The chisel leaves traces in the stone in the same way that the blade of the plough furrows the field or the bird�s foot marks the mud� but it carries with it traces of the voices of our ancestors, engrained fragments of ancient stories. Visit the Engrained voices website to find out more.
FORMAT: Softcover
By Teucer Wilson and Hugh Lupton
Norfolk is steeped in story. Whether we are travelling along the coast, through the loam-rich farmlands, across the sandy brecklands, among the inland waterways of the broads, or over the marsh and fenlands to the west of the county; whether we are threading the Saxon and Medieval streets of Norwich, Kings Lynn or Thetford, stories are everywhere. These stories that are held in landscape are what the Aboriginal peoples would call the �dreaming� of a place. When they are told the sleeping landscape reveals its dreams. Its secrets are disclosed. The medium is the breath � the spoken and the sung word. In this exhibition the narratives of place are returned to the bedrock of landscape. Breath is become stone. The chisel leaves traces in the stone in the same way that the blade of the plough furrows the field or the bird�s foot marks the mud� but it carries with it traces of the voices of our ancestors, engrained fragments of ancient stories. Visit the Engrained voices website to find out more.
FORMAT: Hardcover
By Maia Kirchkheli
This book contains more questions than answers. It is anything but a completed product of my creativity. Its content is both dynamic and elusive. These fragments of writing and drawings capture my encounters with others, as much as with myself. When I draw, I dream awake. When I write, I speak asleep. I suspect that I may have said more than I could understand at the time of writing. I am taking the risk that I have believed something that I might have discounted by the time you read this. That is not to say that they are not true, but to accept the temporality of their existence and potential for transformation. In this sense, they are representations of human experiences. This is my way of talking to you in an attempt to have more impact on you than my imagination can embrace. That is to say I want to engage with your imagination and with its unforeseen elaborations. This book consists of narratives in images and words. They express something about my being that can be said only through art. Works of art have their own shape and space; therefore, they are alive. My creations have no mission other than to be. Just �to be� is a good enough reason to justify them. They are not for others or even myself; they have their own separate existence, and I have my own relationship with them. There is something compelling about the way they were produced: they insisted on being born and on being put into words and into lines. They are my free-will babies who have deserted me in order to have lives of their own. Creative Being Is Truly Living
FORMAT: E-Book
By Maia Kirchkheli
This book contains more questions than answers. It is anything but a completed product of my creativity. Its content is both dynamic and elusive. These fragments of writing and drawings capture my encounters with others, as much as with myself. When I draw, I dream awake. When I write, I speak asleep. I suspect that I may have said more than I could understand at the time of writing. I am taking the risk that I have believed something that I might have discounted by the time you read this. That is not to say that they are not true, but to accept the temporality of their existence and potential for transformation. In this sense, they are representations of human experiences. This is my way of talking to you in an attempt to have more impact on you than my imagination can embrace. That is to say I want to engage with your imagination and with its unforeseen elaborations. This book consists of narratives in images and words. They express something about my being that can be said only through art. Works of art have their own shape and space; therefore, they are alive. My creations have no mission other than to be. Just �to be� is a good enough reason to justify them. They are not for others or even myself; they have their own separate existence, and I have my own relationship with them. There is something compelling about the way they were produced: they insisted on being born and on being put into words and into lines. They are my free-will babies who have deserted me in order to have lives of their own. Creative Being Is Truly Living
FORMAT: Softcover
By Maia Kirchkheli
This book contains more questions than answers. It is anything but a completed product of my creativity. Its content is both dynamic and elusive. These fragments of writing and drawings capture my encounters with others, as much as with myself. When I draw, I dream awake. When I write, I speak asleep. I suspect that I may have said more than I could understand at the time of writing. I am taking the risk that I have believed something that I might have discounted by the time you read this. That is not to say that they are not true, but to accept the temporality of their existence and potential for transformation. In this sense, they are representations of human experiences. This is my way of talking to you in an attempt to have more impact on you than my imagination can embrace. That is to say I want to engage with your imagination and with its unforeseen elaborations. This book consists of narratives in images and words. They express something about my being that can be said only through art. Works of art have their own shape and space; therefore, they are alive. My creations have no mission other than to be. Just �to be� is a good enough reason to justify them. They are not for others or even myself; they have their own separate existence, and I have my own relationship with them. There is something compelling about the way they were produced: they insisted on being born and on being put into words and into lines. They are my free-will babies who have deserted me in order to have lives of their own. Creative Being Is Truly Living
FORMAT: Hardcover
By Gianina Sipitca
No Description Available.
FORMAT: Softcover
By Gianina Sipitca
No Description Available.
FORMAT: E-Book
By Andy E. Anderson
The inhabitants of Alphabet realize their beautiful songs and town could become silent and disappear because not enough people are reading and writing. The letters come together and decide to go on a quest around the world to find new readers and writers to help the beautiful little town survive.
FORMAT: E-Book
By Andy E. Anderson
The inhabitants of Alphabet realize their beautiful songs and town could become silent and disappear because not enough people are reading and writing. The letters come together and decide to go on a quest around the world to find new readers and writers to help the beautiful little town survive.
FORMAT: Softcover
By Andy E. Anderson
The inhabitants of Alphabet realize their beautiful songs and town could become silent and disappear because not enough people are reading and writing. The letters come together and decide to go on a quest around the world to find new readers and writers to help the beautiful little town survive.
FORMAT: Hardcover
By Wagner Anarca ''Papis''
This book is an answer to the entire people that ask me about how to do drawings. I like to read and watch everything that is coming to me about drawings, art, music, dance and poetry� So my advice is: �Keep on drawing and drawing�� �Keep your Sketchbook close than your cell phone� A lot of fun sketching, scribbling, rendering, rough out, mark, shade, delineate, delineate, crayon, caricature, limn, express it, etch, design, dropping a line, trace or doodle!!!!!! Please, Have a Fun!!!!
FORMAT: E-Book
By Wagner Anarca ''Papis''
This book is an answer to the entire people that ask me about how to do drawings. I like to read and watch everything that is coming to me about drawings, art, music, dance and poetry� So my advice is: �Keep on drawing and drawing�� �Keep your Sketchbook close than your cell phone� A lot of fun sketching, scribbling, rendering, rough out, mark, shade, delineate, delineate, crayon, caricature, limn, express it, etch, design, dropping a line, trace or doodle!!!!!! Please, Have a Fun!!!!
FORMAT: Softcover
By Richard F. Kessler
This is the story of a remarkable view. The Empire State Building is framed within the Arch in Grand Army Plaza, Brooklyn. "The Brooklyn Mirador - A View of Grand Army Plaza" is for the Park lover and Brooklyn resident. It is those who admire Olmsted and Vaux, as well as the history buff, Civil War scholar and civil rights advocate. �A scene in nature is made up of various parts; each part has its individual character and its possible ideal. It is unlikely that accident should group a number of these possible ideals in such a way that not only one or two but that all should be harmoniously related one to the other.� � Olmsted, 1866
FORMAT: Softcover
By Richard F. Kessler
This is the story of a remarkable view. The Empire State Building is framed within the Arch in Grand Army Plaza, Brooklyn. "The Brooklyn Mirador - A View of Grand Army Plaza" is for the Park lover and Brooklyn resident. It is those who admire Olmsted and Vaux, as well as the history buff, Civil War scholar and civil rights advocate. �A scene in nature is made up of various parts; each part has its individual character and its possible ideal. It is unlikely that accident should group a number of these possible ideals in such a way that not only one or two but that all should be harmoniously related one to the other.� � Olmsted, 1866
FORMAT: Hardcover
By Ursula Krammer Maynard
Lived and read experiences are assembled in this cosmopolitan author's second published book. A travelogue as of the 19th Century and 20th Century just as well as contemporary narratives are embedded into love, joy and everything that you can imagine. This volume contains more than words can tell, more feelings than music conveys, more than visual art could show, a shamanistic and aesthetic experience at the same time. Drama is about conflict. The cathartic effect shall bring healing to the reading audience. A romantic and Olympic ode expresses the author's inner excursions into autobiography, female role models, glamour and religion. The title of the author's first book is PERFORMING POSTMODERNITY. She is on facebook as: www.facebook.com/ursula.maynard.9
FORMAT: E-Book
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