Piecing Together Stories One Frame at a Time, is a simple how-to book containing samples and tips for making homemade picture books using photographs. Solloway encourages readers to take the challenge, get out their photographs, and use their imaginations to piece their own picture books together one frame at a time.

Piecing Together Stories One Frame at a Time, is a simple how-to book containing samples and tips for making homemade picture books using photographs. Solloway encourages readers to take the challenge, get out their photographs, and use their imaginations to piece their own picture books together one frame at a time.

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This collection of notes and photographs of offshore trips and sightings along thecoast, along with some photos outside the study area were made from the late sixtiesonward. My sea-birding companion Armas Hill and I have made the effort to collectivelycollate the many thousands of sightings. All the photographs made out of our study areaare so marked. I thank Ken Kitson for assisting in the production of the distribution andpopulation chart, as well as Elizabeth Brady for drawing the map of the covered area,and Sally Brady for her drawing of the European Storm-Petrel.Without Captain John Larson and his “Miss Barnegat Light’ and the great captainsand crews aboard, as well as all the Ebles with their “Doris Mae,” this would have beenan impossible task. The “Atlantis” and the “White Star” as well as Captain Garrison’sboat in 1967 that found us an albatross (even though the captain was too embarrassed toadmit to his fellow captains that he was taking out a group of “bird watchers”!) Thingshave changed.Kate Brethwaite, John Danzenbaker and Jim Merrit were almost always aboardwhen we began the pelagic trips. Laurie Larson, Doug Gill, Irvin Black, William Boyle,Joseph Burgiel, Pete Dunne, Richard Kane, Alan Keith and Harry Wallum were amongthe many on early trips. Several thousands more have been on the approximately threehundred fi fty canyon trips it took to complete the information and photos covering thisstudy. All these birders are a great part of this book.Other mentors who showed us the way and corrected my mistakes with grace wereRobert Ake, James Akers, Paul duMont, Peter Harrison, Paul Lehman, Brian Patteson,Jon Pearson, Betty Phinny, Richard Roulete, Will Russel and David Wingate.For the scanning and processing of photos and text and the time devoted to theproject, I thank Elaine and Chuck Crunkleton, excellent birders and good friends.Elaine’s son, Tim Ryan, also deserves much thanks for providing his computer expertisefor the layout process. A special thanks to Kathy Horn, who’s impecable eye smoothedout many, many problems.Photographs by the author.

This collection of notes and photographs of offshore trips and sightings along thecoast, along with some photos outside the study area were made from the late sixtiesonward. My sea-birding companion Armas Hill and I have made the effort to collectivelycollate the many thousands of sightings. All the photographs made out of our study areaare so marked. I thank Ken Kitson for assisting in the production of the distribution andpopulation chart, as well as Elizabeth Brady for drawing the map of the covered area,and Sally Brady for her drawing of the European Storm-Petrel.Without Captain John Larson and his “Miss Barnegat Light’ and the great captainsand crews aboard, as well as all the Ebles with their “Doris Mae,” this would have beenan impossible task. The “Atlantis” and the “White Star” as well as Captain Garrison’sboat in 1967 that found us an albatross (even though the captain was too embarrassed toadmit to his fellow captains that he was taking out a group of “bird watchers”!) Thingshave changed.Kate Brethwaite, John Danzenbaker and Jim Merrit were almost always aboardwhen we began the pelagic trips. Laurie Larson, Doug Gill, Irvin Black, William Boyle,Joseph Burgiel, Pete Dunne, Richard Kane, Alan Keith and Harry Wallum were amongthe many on early trips. Several thousands more have been on the approximately threehundred fi fty canyon trips it took to complete the information and photos covering thisstudy. All these birders are a great part of this book.Other mentors who showed us the way and corrected my mistakes with grace wereRobert Ake, James Akers, Paul duMont, Peter Harrison, Paul Lehman, Brian Patteson,Jon Pearson, Betty Phinny, Richard Roulete, Will Russel and David Wingate.For the scanning and processing of photos and text and the time devoted to theproject, I thank Elaine and Chuck Crunkleton, excellent birders and good friends.Elaine’s son, Tim Ryan, also deserves much thanks for providing his computer expertisefor the layout process. A special thanks to Kathy Horn, who’s impecable eye smoothedout many, many problems.Photographs by the author.

This collection of notes and photographs of offshore trips and sightings along thecoast, along with some photos outside the study area were made from the late sixtiesonward. My sea-birding companion Armas Hill and I have made the effort to collectivelycollate the many thousands of sightings. All the photographs made out of our study areaare so marked. I thank Ken Kitson for assisting in the production of the distribution andpopulation chart, as well as Elizabeth Brady for drawing the map of the covered area,and Sally Brady for her drawing of the European Storm-Petrel.Without Captain John Larson and his “Miss Barnegat Light’ and the great captainsand crews aboard, as well as all the Ebles with their “Doris Mae,” this would have beenan impossible task. The “Atlantis” and the “White Star” as well as Captain Garrison’sboat in 1967 that found us an albatross (even though the captain was too embarrassed toadmit to his fellow captains that he was taking out a group of “bird watchers”!) Thingshave changed.Kate Brethwaite, John Danzenbaker and Jim Merrit were almost always aboardwhen we began the pelagic trips. Laurie Larson, Doug Gill, Irvin Black, William Boyle,Joseph Burgiel, Pete Dunne, Richard Kane, Alan Keith and Harry Wallum were amongthe many on early trips. Several thousands more have been on the approximately threehundred fi fty canyon trips it took to complete the information and photos covering thisstudy. All these birders are a great part of this book.Other mentors who showed us the way and corrected my mistakes with grace wereRobert Ake, James Akers, Paul duMont, Peter Harrison, Paul Lehman, Brian Patteson,Jon Pearson, Betty Phinny, Richard Roulete, Will Russel and David Wingate.For the scanning and processing of photos and text and the time devoted to theproject, I thank Elaine and Chuck Crunkleton, excellent birders and good friends.Elaine’s son, Tim Ryan, also deserves much thanks for providing his computer expertisefor the layout process. A special thanks to Kathy Horn, who’s impecable eye smoothedout many, many problems.Photographs by the author.

This book is based on Chris Moore’s book “A Guide Book to the Natural Arches of Arches National Park”. In it he provides black and white pictures of arches and a description of where they are located. The author felt that color pictures and GPS coordinates (which were not available when Chris wrote his book), as well as distance pictures of the area surrounding an arch to add a view, that would help readers to find arches that are difficult to see. Chris was a great help pointing out arches that the author was looking at, or in close proximity to, and still not seeing. Also, the author wanted to broaden the perspective to include the sites that most people see and visit, essentially creating a coffee table picture book of Arches. Hopefully this will provide the reader with a set of memories that they can enjoy for years to come. Also, as there is much to see, it may allow the reader to plan future visits to Arches.

This book is based on Chris Moore’s book “A Guide Book to the Natural Arches of Arches National Park”. In it he provides black and white pictures of arches and a description of where they are located. The author felt that color pictures and GPS coordinates (which were not available when Chris wrote his book), as well as distance pictures of the area surrounding an arch to add a view, that would help readers to find arches that are difficult to see. Chris was a great help pointing out arches that the author was looking at, or in close proximity to, and still not seeing. Also, the author wanted to broaden the perspective to include the sites that most people see and visit, essentially creating a coffee table picture book of Arches. Hopefully this will provide the reader with a set of memories that they can enjoy for years to come. Also, as there is much to see, it may allow the reader to plan future visits to Arches.